Although it has only been four
lessons, the insights that I have gained and the changes in my original
opinions toward make it seem like a longer time has passed. While I’ve always
enjoyed literature, it has evolved (for me) into something that I should do, rather than just something I
happen to do. We looked at the scientific benefits of studying literature, and
the study speaks for itself. By reading quality works, we will become more
adept at understanding people, and thereby the world around us. The purpose
could be seen as ‘practicing the human experience’. Reading literature is like
a trial run of social interaction, allowing us to be a part of someone’s world
without even having to know them.
With this in mind about
literature, the presence of such a thing as women’s
literature reveals the sexism inherent in our society. When I first started
the year, I was quite frustrated with this distinction. After all, there are
strong female characters and writers in literature. Later on, however, when
presented with the numbers (surprisingly by Mr. Michael) and after seriously
considering the books and protagonists on my bookshelf, I began to see the huge
disparity that still exists today. Despite this, I believe that relegating all
literature written by women or for women to the category ‘women’s literature’
would be inaccurate. While women are underrepresented
in literature (more info here), this is a separate issue from women’s literature. The genre is very
nuanced and hard to define, but a superficial marker of women’s literature may
be passing the Bechdel test.
The value of studying women’s
literature lies in the ‘balance of stories’ that we learnt about back in Grade
11. Chimamanda Adiche’s TED Talk on the Danger of a Single Story reminds us
that telling only one story of a people will rob them of their dignity, dehumanize
them, and make us see them only as the stories say they are. Women’s literature
is important because it removes the stereotypes surrounding women, and
reiterates to readers that the stories shared by people are the same
whoever they are.
Munro’s social realism was
especially significant in the 1950s to 1980s, as those were the main years of
second wave feminism. What distinguished this particular brand of feminism from
its predecessors was that it had more of a ‘spirit’, especially in how there wasn’t
any one specific thing they were fighting for. There was also a movement of
‘consciousness raising’, where personal stories were politicized to bring
attention to ordinary women’s lives. Munro’s stories are a perfect example of
this, as her narratives of normal lives achieve exactly what ‘consciousness
raising’ aimed to do. Her stories also created a starting point for other women
to know that they weren’t alone, and could share their experiences.
This brings us back to Munro’s
contributions to gender equality. By providing the balance of stories that was
needed in the literary world, Munro showed that the similarities between men
and women are far more than the differences between them. The thing that I both
enjoyed and hated most in these stories was how ‘normal’ they were. On one
hand, it was very depressing when every story turned out like how it would in
real life, with no room for magic or unicorns or aliens (L). On the other hand, Munro made
poetry out of ordinary situations, without embellishing or changing them at
all. I really enjoyed this minimalism in her work, especially as it made it
seem like any one of us could be ‘interesting enough’ to be in a book.
Lastly, I also believe Munro made
a very powerful statement about feminism through her stories. None of the Alice
Munro stories I read had only women or men in them, which reminds us that
feminism is about the equality of
the sexes, and not man-hating. Even Simone De Beauvoir supports this – in
her theory of the other she concludes that the sexes should not aim to tear
each other down, but rather live respectfully each in their own right.
Note: This post is a little late, I originally wrote it on a word document but then forgot to post it. Sorry!
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